Appleton’s Magazine, a prominent American literary and cultural publication of the late 19th and early 20th centuries, featured an article in its September 1906 issue that addressed the topic of “canned music,” with John Philip Sousa prominently involved.
Here’s more detail:
1. Appleton’s Magazine: Founded in 1869 by D. Appleton & Company, Appleton’s Magazine was a widely-read monthly periodical known for its contributions to literature, culture, and social commentary. It featured a mix of fiction, essays, poetry, and articles on various topics of interest to its readership.
2. The September 1906 Issue: In the September 1906 issue of Appleton’s Magazine, an article titled “Sousa Exposes ‘Canned Music'” was published. This article was significant for its critique of the growing trend of recorded or “canned” music, particularly in contrast to live musical performances.
3. John Philip Sousa: John Philip Sousa was a highly acclaimed American composer and conductor, best known for his patriotic marches such as “The Stars and Stripes Forever” and “The Washington Post March.” Sousa was also a vocal critic of recorded music, expressing concerns about its impact on musical culture and the art of performance.
4. Exposing “Canned Music”: The article likely discussed Sousa’s views on recorded music and his efforts to raise awareness about what he saw as its detrimental effects. Sousa believed that live musical performances were essential for the preservation of musical artistry and the cultivation of appreciation for music among the public.
5. Cultural Impact: Sousa’s stance against recorded music reflected broader debates and anxieties surrounding technological advancements and their influence on society and culture during the early 20th century. The rise of phonographs and other recording technologies presented both opportunities and challenges for musicians, composers, and listeners alike.
Overall, the article in Appleton’s Magazine served as a platform for Sousa to voice his concerns about the impact of recorded music, contributing to a larger cultural conversation about the role of technology in shaping musical experiences and artistic expression.
